The Theatre Reviewer

Ahead of My Uncle is Not Pablo Escobar, I caught up with Elizabeth Alvarado to talk about the themes at the heart of the production, the creative journey behind it, and what audiences can look forward to when the lights go up.   What first sparked the idea for My Uncle is Not Pablo Escobar? Conversations between Tommy, Valentina and myself about the issues the Latin American community face sparked ideas and inspiration for a show. We wanted to talk about these issues on stage

Ahead of Myra’s Story, I caught up with Amber Allen to talk about the themes at the heart of the production, the creative journey behind it, and what audiences can look forward to when the lights go up.   Myra’s Story is such a powerful and intimate piece. What drew you to bring this production back to the West End? Like you say, it’s such a powerful piece, and one that always packs a punch. It’s been 2 and a half years since the show was last in London (Sept-Oct 2023) and si

Ahead of Hold The Line, I caught up with Sam Macgregor to talk about the themes at the heart of the production, the creative journey behind it, and what audiences can look forward to when the lights go up.   Hold the Line is rooted in your real-life experience working on the NHS 111 frontline - what made you feel this was a story that needed to be told on stage?  People have always been into medical dramas as well as sitcoms set in an Office, or a work place environment, so a