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Latest Posts:


BAD BOY ⭐⭐⭐
“Jack is struggling, and everyone else seems to be moving on. Getting ahead. He needs a break, and when it finally comes, it’s the worst thing that could ever happen.” Daniel Adolfsson's direction is clear and effective. The production makes good use of the space without making the staging more complicated than it needs to be. Everything has a purpose, and the transitions keep the story moving without drawing attention away from the central character. The staging has a pleasi


PEREGRINATIONS ⭐⭐⭐
“Created from interviews and the lived experiences of an international ensemble, the piece uses masks, puppetry and poetic movement to illuminate border crossings, exile, the search for belonging and the barriers imposed by others. As hostility toward immigrants intensifies, this visually arresting performance moves beyond headlines to reveal deeply human stories of courage, loss and resilience. Urgent and intimate, it asks audiences to reflect on migration, memory and compas


MAX FULHAM: MEMORY FOAM ⭐⭐⭐⭐
“Max is back and sorting through some boxes, but what will he find? Most likely a mixture of puppet characters, sketches and stand-up for you to rummage through. There’ll be family history, charity shopping, financial advice and more!” If you have ever wondered what would happen if somebody combined a loft clear-out, stand-up comedy, ventriloquism and a slightly concerning amount of cardboard, MAX FULHAM: MEMORY FOAM has the answer. And thankfully, it is very, very funny. The
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